“What attracted me to both projects was the agency of those characters.

“What attracted me to both projects was the agency of those characters. At first glance, they look like victims. But the writing offers them complexity. They’re deep. They have likes, strong dislikes, needs, fears. And as an actor, I’m always looking for that. Those are the things I need to hook onto. Because sympathy is not nearly as interesting as empathy. There’s so much more to learn by stepping into someone’s shoes than by saying “poor you” from a safe distance.”

Originally shared by Fred Hicks

“TN: So I went to all the young comedians I knew — black, Hispanic, female, whatever — and I said, “Are you interested?” And they all said: “Are you crazy? Of course, I’m interested.” So I asked, “Why didn’t you audition?” And they said, “We didn’t know about it.” But they told me they’d sent it out to all the agents and managers. And they all went: “Oh, that’s where you made the mistake. We can’t get agents or managers.” We can say we want diversity, but there’s this little roadblock that no one tells you about.”

http://www.nytimes.com/2016/02/28/fashion/lupita-nyongo-and-trevor-noah-table-for-three.html

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