10 thoughts on “The 4 Undramatic Plot Structures http://bit.ly/2ozheFs”
I imagine you could create drama from something undramatic, (like having to ignore a dangerous monster in order to defeat it, while being terrified and wanting to look at it, in case it’s about to attack – the competing fears and desires could create tension, especially if the character wasn’t sure when the monster was defeated and it was safe, forcing them to have to look at some point) but generally these would be annoying in a story. =]
I imagine you could create drama from something undramatic, (like having to ignore a dangerous monster in order to defeat it, while being terrified and wanting to look at it, in case it’s about to attack – the competing fears and desires could create tension, especially if the character wasn’t sure when the monster was defeated and it was safe, forcing them to have to look at some point) but generally these would be annoying in a story. =]
I imagine you could create drama from something undramatic, (like having to ignore a dangerous monster in order to defeat it, while being terrified and wanting to look at it, in case it’s about to attack – the competing fears and desires could create tension, especially if the character wasn’t sure when the monster was defeated and it was safe, forcing them to have to look at some point) but generally these would be annoying in a story. =]
I imagine you could create drama from something undramatic, (like having to ignore a dangerous monster in order to defeat it, while being terrified and wanting to look at it, in case it’s about to attack – the competing fears and desires could create tension, especially if the character wasn’t sure when the monster was defeated and it was safe, forcing them to have to look at some point) but generally these would be annoying in a story. =]
I imagine you could create drama from something undramatic, (like having to ignore a dangerous monster in order to defeat it, while being terrified and wanting to look at it, in case it’s about to attack – the competing fears and desires could create tension, especially if the character wasn’t sure when the monster was defeated and it was safe, forcing them to have to look at some point) but generally these would be annoying in a story. =]
I imagine you could create drama from something undramatic, (like having to ignore a dangerous monster in order to defeat it, while being terrified and wanting to look at it, in case it’s about to attack – the competing fears and desires could create tension, especially if the character wasn’t sure when the monster was defeated and it was safe, forcing them to have to look at some point) but generally these would be annoying in a story. =]
I imagine you could create drama from something undramatic, (like having to ignore a dangerous monster in order to defeat it, while being terrified and wanting to look at it, in case it’s about to attack – the competing fears and desires could create tension, especially if the character wasn’t sure when the monster was defeated and it was safe, forcing them to have to look at some point) but generally these would be annoying in a story. =]
I imagine you could create drama from something undramatic, (like having to ignore a dangerous monster in order to defeat it, while being terrified and wanting to look at it, in case it’s about to attack – the competing fears and desires could create tension, especially if the character wasn’t sure when the monster was defeated and it was safe, forcing them to have to look at some point) but generally these would be annoying in a story. =]
I imagine you could create drama from something undramatic, (like having to ignore a dangerous monster in order to defeat it, while being terrified and wanting to look at it, in case it’s about to attack – the competing fears and desires could create tension, especially if the character wasn’t sure when the monster was defeated and it was safe, forcing them to have to look at some point) but generally these would be annoying in a story. =]
I imagine you could create drama from something undramatic, (like having to ignore a dangerous monster in order to defeat it, while being terrified and wanting to look at it, in case it’s about to attack – the competing fears and desires could create tension, especially if the character wasn’t sure when the monster was defeated and it was safe, forcing them to have to look at some point) but generally these would be annoying in a story. =]
I adore Tom Gauld!
I adore Tom Gauld!
I adore Tom Gauld!
I adore Tom Gauld!
I adore Tom Gauld!