This is similar to my “genres considered as restaurants” blog post from a while back, but takes a different angle.

Originally shared by Yonatan Zunger

A few years ago, I came across an interesting theory of how to divide up stories implied in a talk by Lois McMaster Bujold: that stories are most usefully divided not by their structural elements, or their set dressing, but by the type of emotional experience they try to create. Romances, in this model, are fantasies of love; mysteries may be fantasies of justice or of understanding, and the latter category is shared with spy thrillers and Lovecraftian horror. Literary fiction about painful divorces may have more in common with The Texas Chainsaw Massacre than with Agatha Christie.

(Member post)