May 23

Not really happy with the story I wrote today. It needs more time to cook.

Not really happy with the story I wrote today. It needs more time to cook.

Any time I do the last scene in Tell mode, I know there’s a problem. (I rewrote one of those this morning, and it’s much improved.)

Part of the problem with today’s one is that it’s about an issue I’m genuinely conflicted about. I don’t see a single right answer – which is good for writing a story with some depth, but also makes it harder. I think that’s why I did the final scene as an excerpt from a catalog of a retrospective exhibition, summarizing the artist character’s life; because that gave a degree of distance from the stuff I didn’t want to write. Tomorrow, or later in the week, I’ll probably go in and bring it into focus.

Anyway, I’m continuing to turn ideas into stories. And after due processing, those stories go out on submission. I’m 60% of the way through my goal of writing 15 stories this year (not counting today’s one, because I don’t feel it’s finished), and 53% of the way through my goal of 60 submissions. I’ve written as many stories in the first five months of this year as in the whole of last year (more, in fact, because there are a couple I’m not counting as complete.)

What has been conspicuously absent lately is sales. I think I may be shooting too high, because I’m submitting to the established pro markets, the ones where I’m competing with experienced, established writers. Time, perhaps, to lower my sights to the newer pro markets that publish the newer pro writers, where I’m on more of a level playing field.

May 03

Anthologies I would like to see

Anthologies I would like to see

(And will probably have to end up editing myself, God forbid.)

1. Runyonesque. Stories in the distinctive style of Damon Runyon. There was a lovely one from Maria Dahvana Headley in, I think, The Very Best of Tor.com last year, “The Tallest Doll in New York City,” and Mike Resnik has one that I just saw reprinted in Funny Fantasy. I’m sure I’ve seen at least one other. Also, I’ve written one.

2. Unevenly Distributed. Stories that pick up on William Gibson’s observation about the science-fictionality of today. (His recent novels also use current technology in a science-fictional way.) Maybe Robin Sloane could be persuaded to contribute?

What unusual themed anthologies would you like to see? Go large.

Apr 19

Submission opportunity: I’ judging the FutureScapes Writing Contest

Originally shared by Mary Robinette Kowal

Submission opportunity: I’ judging the FutureScapes Writing Contest

I’m judging the FutureScapes Writing contest, which has a goal that I’m really excited about.  It’s the idea that art can change the world, and so it invites submissions for stories with the goal of changing the future. “Life imitates art far more than…

http://maryrobinettekowal.com/journal/submission-opportunity-futurescapes-writing-contest/

Apr 03

That de-escalated quickly.

That de-escalated quickly. One-day rejections for both – but with an invitation from UFO to submit something else, and a nice personalized rejection from F&SF. 

Also today, a personalized rejection from Beneath Ceaseless Skies for “Castle”. I’m now puzzling over how the pace of an 1800-word story (involving a little girl growing up to adulthood and a wizard fight) can be “too slow”. 

Originally shared by Mike Reeves-McMillan

Well, two big submissions sent out: a story for Unidentified Funny Objects (who have given me several encouraging rejections in previous years), and Brother Blue to F&SF. 

Pleased to see that F&SF have joined us in the 21st century and now allow electronic submissions. 

And now we wait. 

Apr 02

Well, two big submissions sent out: a story for Unidentified Funny Objects (who have given me several encouraging…

Well, two big submissions sent out: a story for Unidentified Funny Objects (who have given me several encouraging rejections in previous years), and Brother Blue to F&SF. 

Pleased to see that F&SF have joined us in the 21st century and now allow electronic submissions. 

And now we wait.