Jun 13

Damon Knight, in Creating Short Fiction, talks about four stages of development for writers.

Damon Knight, in Creating Short Fiction, talks about four stages of development for writers. (He acknowledges that there are stages beyond four, but after that point they don’t need help.)

1. Narcissistic daydreamer. Think “Mary Sue author-self-insertion fanfic”. The way to get out of this stage is to imagine how some other character feels about the author self-insertion/idealisation.

2. Trivial writer. Stories are half-formed, with beginnings and ends but no middles (where the plot and characters would develop). The characters are tokens, placeholders. There are no complications; it’s just a bunch of things that happen.

3. Writer with technical issues. We now have complete stories, but there are problems with plot structure and characterisation. The plots are poorly constructed, and the characters are puppets. Nobody cares what happens to them, and what happens to them sometimes makes little sense.

4. Competent writer. You’ve learned how to solve the technical issues at least well enough that people will buy your stories.

Knight (who taught writing for decades) observes that people who start writing later in life, at least early 30s, often manage to skip stage 1, and sometimes also stage 2.

The way out of stages 3 and 4 is by learning technique. You can do this by yourself through trial and error, or you can take instruction.

#shortfiction

Jun 13

“Most of the student writers I meet fall into two classes: those who have something to say but don’t know how, and…

“Most of the student writers I meet fall into two classes: those who have something to say but don’t know how, and those who know how, to some degree, but have nothing to say. Members of this second group are oftener men than women…. Looked at as a technical construct, a story is a shell built to contain something.”

– Damon Knight, Creating Short Fiction

#shortfiction

Jun 13

“Certainly concealment is part of writing, and we all hide in our charactrs; but writing is also a way of revealing…

“Certainly concealment is part of writing, and we all hide in our charactrs; but writing is also a way of revealing ourselves. Either we do this voluntarily and courageously, or we do it out of timidity and in spite of ourselves. The unhappy young writer who invents heroes of stupefying intelligence, wisdom, beauty, strength, and virtue is like a child trying to hide behind a fencepost. She can’t hide all of herself, or even choose which parts to reveal.”

– Damon Knight, Creating Short Fiction

#shortfiction

Jun 11

A “signal from Fred” is a critique term, apparently, for when the author is aware at some level that what the…

A “signal from Fred” is a critique term, apparently, for when the author is aware at some level that what the characters are doing is stupid and makes no sense, and that awareness leaks out onto the page.

Fred is smart. You should listen to Fred.

http://www.walterjonwilliams.net/2015/06/signals-from-fred/
Jun 07

Via Deb Chachra’s Metafoundry newsletter (http://tinyletter.com/metafoundry), a piece on how a technology can…

Via Deb Chachra’s Metafoundry newsletter (http://tinyletter.com/metafoundry), a piece on how a technology can disappear into the background of our lives, despite its powerful impact over thousands of years.

http://aeon.co/magazine/culture/how-textiles-repeatedly-revolutionised-technology/