Does whatever a spider can.
Via Winchell Chung.
Originally shared by michael barth
Does whatever a spider can.
Via Winchell Chung.
Originally shared by michael barth
Via Charlie Loyd’s newsletter. The shift away from pollution, like most other major shifts (whether political or personal), is coming not through convincing people of abstract principles, but through demonstrating the benefits of change and immediate, concrete downsides of staying the same.
http://www.politico.com/agenda/story/2015/05/inside-war-on-coal-000002
Via Yonatan Zunger, biometric hacking.
Originally shared by Ade Oshineye
Biometrics are not secret and won’t even stay obscure for long.
The Wisdom Heist
I had just lifted a plum off a market stall for lunch when a woman in a hooded cloak stepped up beside me and said, “Now You Don’t?”
I took a step back and glanced around, wondering if she was part of a squad of thief-takers. Who else would address me by my street name in the middle of the market?
“I’m not the law,” she said. “The opposite, if anything. But let’s not talk here.” She gave a tilt of her head indicating I should follow her, and strode off.
Confident, I thought. Hovering on the edge of arrogant.
Could be interesting.
I followed her discreetly out of the market square and down an alley, where a door had been left ajar. Inside, a shabby corridor led to a cramped room, and to the woman, now sitting on one of four worn wooden chairs which were the only furniture. She had thrown back her hood, and although her face looked like she was in her early 30s, her hair was completely grey, tied up behind her head in a knot. A pair of spectacles sat on her nose, and under the cloak she wore plain, modest clothing.
I turned another chair around and straddled it, conjured the plum, and bit into it. Juice ran down my hand, and I spoke a mild oath.
The woman’s mouth tightened. “You are the thief known as Now You Don’t?”
“What if I am?”
“I might have a job for you.”
“And you are?”
“Call me…” she paused. “Call me Sophia.”
I placed her look, the grey hair knotted at the back of her head, the clothing, the glasses. “You’re a priestess of Wisdom.”
“Ex-priestess.”
“How do you become an ex-priestess of Wisdom?” I asked, genuinely intrigued.
“By doing something unwise. Something I have no intention of sharing with you. But if you are Now You Don’t, I will share something else with you–something to your advantage.”
I held up the plum stone. “Observe,” I said. “Now you see it.” I made a quick finger movement, palming the stone, then spread my hand. “Now you don’t.”
She regarded me over her glasses, unimpressed. “Any marketplace conjuror can do as much.”
I stood up and began to take off my shirt.
“What are you doing?” she said, in a scandalised tone.
“Demonstrating.” I cast the garment aside. I half expected her to avoid looking at my bare torso, which is certainly no oil painting–hairy, not particularly muscular, and sporting several nasty scars, a professional hazard. But she ran her eyes over me in a detached manner. I turned my hands back and forth, coming close so she could see I had nothing on my person.
“Now,” I said, and conjured the plum stone. I held it up, tossed it to her. She examined it for a moment, weighed it in her hand, then tossed it back. I caught it, made it vanish, and again showed her that it was nowhere on me.
“Very well,” she said. “I’m sufficiently convinced, for now. Resume your garment, please, Mister Don’t.”
“People generally call me Now if they want a shorter version,” I said. She nodded, but gave no other acknowledgement.
“So what’s the job?” I said, when I’d put my shirt on and sat back down.
“I will explain when our colleagues arrive. I don’t wish to repeat myself.”
We sat in silence. I conjured a pair of gold nuggets and started playing knucklebones with them, clinking them together, but she frowned at me over her glasses until I stopped.
I stood, walked around the room. Sat down again.
Sophia glared at me some more.
Finally, the door opened, and an old woman hobbled in. She looked from one of us to the other, took the chair to my left, and sat without a word.
I fidgeted. Conjured a small puzzle made of gold wire strung with cloisonné beads, a toy once made for the Prince of Everstem. Don’t worry, he was grown up by the time I stole it. I draw the line at taking toys from little kids.
I ignored Sophia, who was glaring again, and the old lady, and focused on solving the puzzle. It’s a difficult one (the Prince never solved it, but then, he wasn’t that bright). So I was fully absorbed when a rich, vibrant woman’s voice spoke from my left.
“What’s that?” she said.
I turned. The old lady had become a pale young beauty with long greenish hair, wearing a flowing pale-blue dress rather than the layers of heavy brown old-lady clothes she had walked in with. I blinked.
“It’s a puzzle,” I said, and tossed it to her.
She examined it, and I examined her, a rewarding activity as long as I ignored the burning glares from Sophia, still sitting opposite me.
“Ah,” said the young woman. “Like this.” She manipulated the beads, and they fell into their goal configuration.
“That’s right,” I said. “Well done.”
At that moment, the door opened again. My future colleagues were not, apparently, people who knocked. A towering man with enormous everything entered, ducking to clear the low lintel. He looked at the rickety fourth chair and leaned against the wall, carefully.
“Now that we’re all here,” said Sophia, sitting up straight, “we can begin.”
She took a rolled-up scroll from under her cloak and carefully unrolled it over the fourth chair. The enormous man moved to where he could see, again checking that the wall would hold him up before he leaned on it.
“The Temple of Wisdom,” said the young woman on my left.
“Precisely,” said Sophia.
The Temple of Wisdom is, naturally, a library.
“I take it we’re stealing a book,” I said.
Sophia glared at me. “I will run this briefing,” she said. “Everyone will please be silent until I have concluded.”
She proceeded to tell us, at great length, that the job was to steal a book.
…………………………………………………
For #saturdayscenes, an extract from my latest work-in-progress, “The Wisdom Heist”. It’s rough, but I think it could go somewhere interesting.
Saturday Scenes is run by the Saturday Scenes community. Click the hashtag to see other people’s scenes, and, if you want to participate, post publicly with the hashtag and ask to join the community.
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Well, a decent writing day.
This morning, I finished my draft of “Brother Blue” (so if anyone would like to beta-read a novelette in which a man tries to reunite with his friend after they’re separated by a teleporting college of magic, let me know).
This afternoon I started a new story, “The Wisdom Heist”. A thief who can conjure things into and out of remote storage in the temple of his patron, the Trickster, teams up with an ex-priestess of Wisdom (who’s done something unwise), an illusion-casting part-siren, part-nymph grifter with the ‘fluence in her voice, and an enormous man with a steel scorpion embedded in his chest that grants him berserker powers. The job is to steal a book from the Temple of Wisdom, but… is that a wise idea?
I’m 3000 words in, and not sure how long it will turn out to be yet. I don’t know why the book’s important, who the client is, or why they should definitely not steal it for him, but I’m sure I’ll find out in due time.
Originally shared by Laston Kirkland
Its like those awesome chemstry sets they used to have when I was kid… not really that powerful, but it let you do some neat experiments. More beakers and test tubes than acids and bases.
THIS kit is something that lets you modify the DNA of simple yeasts and bacteria, with some instructions on some of the more basic experiments.
You won’t be turning yeast into the blob with this kit (er… not without some serious doctorate level work, a lot more equipment, and a complete lack of ethics) but you might make a new kind of sourdough.
I’m quietly working away on my nonfiction book, The Craft and Commerce of Short Story Writing, and thought you might like an excerpt from the first chapter: Why Write Short Stories?
The famous and prolific short story writer Ray Bradbury offered this advice to all beginning writers: write a short story a week for a year. His reason was that it provides quick turnaround, quick feedback, quick practice–and it’s unlikely that you’ll write 52 bad stories in a row. (He actually said “impossible,” but I wouldn’t go that far.)
Traditional publishing is famous for its long turnaround times for novels. Not only might you spend several years writing your first novel, but you could spend several more years (perhaps many years) searching for an agent, submitting to publishers, and waiting for them to come back to you–only to receive the answer “no,” in most cases. Some people are lucky enough to get a quick “yes” response, but it’s certainly the exception. Even once the answer is “yes,” there’s a further process of up to a couple of years to get it into the hands of readers.
In the meantime, you may not get much feedback on your writing, apart from anything you can get from a critique group. You could carry on writing, making the same mistakes, and have to spend a lot of precious time going back and correcting them later, if you don’t just scrap what you’ve written.
Short stories, by contrast, will get you much quicker feedback. Much of the time, especially at first, it will be nothing more than a form rejection, but later in the process you can get valuable personalised rejections (at least from some markets), and the even more valuable feedback of making sales and going through editorial critique. What’s more, the turnaround time for all of this is usually measured in months, rather than years.
All of that means that you can use short stories as a trial run for your ideas, and see what catches on without investing the time you would for a novel or series. As the startup entrepreneurs say, you need to “fail fast”–find out what works and what doesn’t work, so you can learn and move on.
For example, I have a project I call Makers of Magic. This is going to be a single-author collection of stories about people who use magic: wizards, witches, sorcerers, necromancers, alchemists and so forth. I managed to find 13 distinct terms, and the goal is to write 13 stories, sell as many of them as possible, and when the rights revert, combine them into a collection.
Not only does this give me a theme and a goal to work towards, but it allows me to try out 13 main characters in a dozen different settings (two of the stories are in my Gryphon Clerks world) and see which ones catch people’s imaginations. I can take different approaches to tone, voice, style and theme. The magic user can be the protagonist, the antagonist, or even a side character.
Some of the stories sold quickly. Others I’ve had difficulty selling at all. All of that is useful information. And it means that I can play, explore possibilities, and enjoy taking a variety of approaches to a subgenre (the “wizard story”) that I personally like to read.
…………………………………..
I’ll post a few more excerpts from Craft and Commerce as I work on it. Meanwhile, back to writing the actual short stories.
My periodic short fiction update blog post.
I notice that, if three more people join my mailing list, another piece of free short fiction will release for everyone on the list, so if you’re not a member and you like short stories, hop on: http://csidemedia.com/gryphonclerks/membership.
http://csidemedia.com/gryphonclerks/2015/11/13/short-story-news/
The Overcast speculative fiction podcast has just released my story “Something Rich and Strange”.
In an alternate version of the Victorian era, a young woman accompanies her professor father to the Change Storm, the bizarre phenomenon on which he’s a leading expert. Her father and his mansplaining assistant expect her to fall into the role of audience/love interest/impediment/rescuee that is the lot of professors’ daughters in so many pulp adventure stories, but she has ideas of her own.
http://peoples-ink.com/podcast/episode-17-something-rich-and-strange-by-mike-reeves-mcmillan/
Want to put a really interesting billionaire tech genius in your story? Here’s a place to start.
http://waitbutwhy.com/2015/05/elon-musk-the-worlds-raddest-man.html