I happen to enjoy cooking shows, which is why I read this article on one chef’s theory of food. But I ended up wondering if it could be applied to writing.
Basically, he’s saying: find the underlying “formal pattern” of a dish and translate it into different ingredients. Classic dishes are classic because they work reliably. Take a classic and deconstruct it; what are its parts? Now, what can you substitute for those parts?
I’ve heard Brandon Sanderson remark on the Writing Excuses podcast that a buddy-cop movie has essentially the same underlying structure as a romance. He often refers to stories that have no overt reference to sports as “underdog sports” stories: outsider joins group of losers, they learn to accept the outsider and are inspired to win.
So, could I write a heist novel where the project isn’t a heist, but an engineering challenge? Or a mystery novel where the mystery isn’t a murder, but a scientific (or historical, or archaeological) puzzle? (I’m sure that’s been done.) What other ways could we use classic structures with new ingredients?
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